Visual Arts

The Art as a Perception & Visualization:

Duchamp has had a huge impact on 20th Century art. By World War I, he had rejected the work of many of his fellow artists as "retinal" art, intended only to please the eye. Instead, Duchamp wanted, he said, "to put art back in the service of the mind."

In Duchamp's work the object, not the artistic gesture, became paramount. Duchamp separated the object of art from the practice of reproduction that is associated with an industrial commodity. His wit is manifested in the use of an object as a work of art, by contravening the logic or purpose of the object itself. That is to say, the practical function of the object defines the object when it is in use, but when put on display, it becomes nonfunctioning and is immediately emptied of its identity as everyday object.*

In this short study the processes of perception of an object and its representation are observed (either it is an object or the installation).

PERCEPTION

In the era of art being a mind process, the artistic gesture is reduced to a single act of perception. That the artistic gesture and the object are emptied of its identity without replacing it from its fundamental environment is paramount.

1. Perception based on observation of a single tangible object:

a. The organization of its internal energies and relationships of elements, particles.

b. Relationship of the object toward the external elements that surround the object in the context of entire space of particles.

2. Perception based on observation of the idea, content:

a. Transfer of such perception, contents, from one space to another.

b. Formal representations are secondary.

I've realized that major role is played by two tectonics:

1. Tectonics of form representing the relationship to the architecture.

2. Tectonics of content representing the relationship to the theater.

INSTALLATION

Individually perceived aesthetic of the space (internal or external) should be the result of elements found in the nature, with deprivation of the self-code, which only makes things complicated.

I strive for Installation manufactured in minds, without code of self. It is defined as visualization of the object-space created by analytical perception. It represents the purest form of representation, rejoicing the unborn aesthetics with the stream of presence of live.

All particles and objects of perception have their own aesthetics, which exist like a sun on the sky. When cloud covers the sun, the sun still exists. The ultimate state of installation may sound little romantic, however it is expressed in sense, that the entire space and all forms of live are manifestation of the ever changing installation. We are invited to participate. Anything in the universe holds the potential to become The Art. There is no other explanation necessary.

Article Source: http://www.articlesbase.com/art-articles/the-art-as-a-perception-visualization-261497.html